Shannon Liu


Visual designer and artist based in London. 

Spanning visual communication, sound, writing, and film, her practice is cross-disciplinary, research-led, and experimental, working with physical materials and socio-cultural contexts before anything becomes digital. 

Recent Royal College of Art MA Visual Communication graduate, previously a full-time product and UX designer.

Also makes music with @patterns.music. 



Project

European Taiwanese Sports Games

Cherry Tattoo
Tiechuanghua Workshop
246 Collective
for the Young and the Longing

we might lose him forever

Techno Punk

Facsimile

Perfect Imperfections
SkETcHeS + aRchIVEs
shannonnnliu@gmail.com

Most bands have a brand. Very few music communities do. 

246 Collective is a group of London songwriters who decided to keep meeting — to share work, perform together, and build something outside the usual industry noise. What does a music community look like when it's built by the people inside it, not around them? The task was to give that something a name, a format, and a visual identity that holds together a whole range of individual voices without drowning any of them out. 

Something worth paying attention to in how it came together: not through a platform or a scene, but through the simple act of showing up and sharing songs. The design had to start from the same place.





Format

Graphic Design
Branding

Role

Graphic Designer
Video Editor

In a Nutshell

Independent musicians in London have no shortage of open mics to play or industry events to attend — but very little in between. Nothing that offers a genuine sense of community, a progression for performers at different stages, or a space that feels both creatively serious and warmly human.

The tools most collectives reach for — a polished logo, a unified visual language, a central brand account — tend to flatten the individual voices that made the community worth building in the first place. A conventional visual identity would have contradicted everything the collective stood for.




The starting point was something almost accidental: most members, when sketching or sharing ideas, naturally reached for crayons. There's something telling in that. Crayons are the first tool most people use to make marks — unpretentious, immediate, and deeply personal. They carry no pretension of professionalism. For a community built on the unfiltered act of making music, it felt exactly right.

From there, the identity grew around the numbers themselves. Rather than setting 2, 4, and 6 in a typeface, the letterforms were drawn from one of the member's own handwriting and reworked so that each number has a different stroke width — 2 being the narrowest, 6 the widest. The progression mirrors the gig format directly: a 2-song set, a 4-song set, a 6-song set. The more space you take up on stage, the more space your number takes up on the page.

But the width variation does something else too. It's an acknowledgment that everyone in this community sounds different. 246 musicians write differently, perform differently, take up space differently. The identity doesn't try to smooth that out. It makes it the point.






The result is a brand that looks handmade because it is: individual pieces held together by a consistent framing device rather than a single imposed style. Analog in feel, deliberately so. A visual identity that doesn't just represent the collective — it works exactly the way the collective does.




Index ©2026 Shannon Liu